Month: September 2022
Northeastern U.S-based space funk / neo-soul / jam quartet
The Lucky Losers
Nominated for ROAD WARRIOR in 2022 & winners of FIVE Independent Blues Awards in 2021 (including “Artist of the Year” – Cathy Lemons, “Song of the Year” Godless Land“), The Lucky Losers are San Francisco’s finest male/female duet fronted 5-piece band — a throwback to the hybrid of soul, blues, rock, gospel, and country that emerged in the late 1960’s with impassioned vocal performances, electrifying musical interplay, and powerful harmonica.
The Kristi Jean Band
“Kristi Jean’s badass Western swing pays homage to the feminist pioneers who paved the way. And charm? Kristi Jean has tons of it.”
— Rachel Cholst (Adobe and Teardrops)
“Kristi Jean transports yet another crowd back to the smoky, sweaty dance halls of the Lone Star State many moons ago..”
— Serge Bielanko, the band “Marah”
Greyson County Texas is bordered by the Red River to the north, just a stone’s throw from Oklahoma. Along the southern border of Greyson, among the tallgrass prairie and clay soil, is the small town of Howe. When Kristi was raised in Howe, there were more churches than stoplights, families gathered on the porch to watch tornados form and dissipate in the east, and country music was the social currency. Like it or not (and Kristi did), country music permeated the radio, the TV and the table-side jukeboxes in the town’s only diner. As much as Kristi would musically reach towards rock and roll music, her roots were firmly planted in the traditional country music of her North Texas home.
Kristi’s songwriting reflects the long highways, lonely drives, love of family and landing at home that she learned from both small-town living and traveling the west singing in barrooms, honky-tonks and bowling alleys. Along with her songwriting partner, Steve Branstetter, Kristi sticks to telling true (or mostly true) stories while letting inspiration, rather than genre, take the lead. Thus, Kristi’s music touches on elements of Bob Wills’ Texas Swing , Jerry Reed’s truck driving rockabilly/county, and Lucinda William’s blend of gritty country and blues.
Naturally shy, Kristi long struggled to gain the confidence to let her voice as a songwriter emerge, being far more comfortable to let her singing voice take center stage. For many years, Kristi and her bands performed only cover songs, keeping her original music largely to herself. But with her forthcoming album, with the working title “West End of Pearl,” Kristi and Steve open a trove of new original musical stories. The songs range from cheeky stories of traveling bands, and truck-driving ladies, to heartfelt stories of friendship emerging from lonely places and the regret of saying words that should never have been said.
Beyond the songwriting and stories, “West End of Pearl” will feature Kristi’s loyal band, her Ne’er-Do-Wells, in addition to exciting special guests who will be named publicly SOON (pending permission from their record labels). Kristi has also partnered with recording engineer, producer, and Haggard-loving Roy Long of RAL Productions for the recoding of the album.
With a late fall 2022 release, Kristi is currently working on finalizing the album, shooting videos to support the first two singles, and will be playing acoustic shows and shows with the full band – featuring the new material and her stylized covers of Patsy Cline, Hank Williams, and a range of Kristi’s favorite artists and writers.
Shaper*Hot Flakes*Mosin Nagant
Eastview; A mix of Rock, Alt/Country Rock, and Original songs.
The Amorphous Blob Orchestra* Take Today* Pepe Silvia
Space Junk is Forever
Space Junk is Forever uses vintage instruments to weave simple melodies, stirring harmonic language, and frequent key and meter changes into impressionistic, aptly titled tunes that 70’s prog lovers, mathy drummers, synthesizer geeks, and music theory nerds are all sure to enjoy. Deep grooves, varied instrumentations, and wild group improvisations further invite a broader audience.
Like many bands, Space Junk is Forever emerged from a basement where most of the band’s material was casually written and multi-tracked by Hammond organist Jordan Holt starting in 2013. “At first I had no intention of forming a band for these songs. It was a dream I thought I had killed off, but the bug came back and I just had to do it.”
In 2016, Jordan met classical pianist/composer, Claude Garoute, and the two began arranging and practicing tunes in Holt’s basement using only Hammond Organ, Rhodes piano, and 2 Moogs.
After auditioning Madden Klass on drums in late 2017, the band began to record their debut self titled record, Space Junk is Forever. It was recorded live with all 3 members, and paired with “Live Tracking Video Sessions” that are available online. This was our first true labor of love as SJIF.
During the fall of 2018, Jordan and Madden continued to jam extensively which helped hone their musical relationship and further create content to build an online presence. The resulting videos received surprise attention on social media. The numbers began to spike during this time and awareness spread around the musician world.
“I was suddenly very busy mailing out vinyl copies of our first record and keeping up with online sales”, explains Holt. “Those videos really helped to jump start interest in us, but we still didn’t feel like we were ready to take it live. The pressure was on to get it just right.” Instead, a second album, SJF2 was recorded.
Shortly after, good friends/former bandmates, bassist David Palan and guitarist Matt Vigna, were called in for live shows. With the arrangements and sounds now flushed out, live shows commenced late spring 2019.
Since then the band has performed at noteworthy clubs and festivals in New England, NYC, upstate New York, Detroit, and Chicago. Performances at Disc Jam Festival and at Arlene’s Grocery in NYC stand out as highlights.